“Intuition and narrativity should never stand in opposition; human intuition is uninterrupted, and every event is made up of uninterrupted intuition and rational choice. Rationality is a beautiful quality inherent in human beings, and choice proves their existence. The moment intuition is spoken, it becomes an event, and the event becomes a trace of intuition. My work is a balance between intuition and narrative. You see the world. You see yourself. The existence of the beauty of rationality and intuition is meaning.”
Jintong is a visual artist. In her works, she tries to construct a new world with continuous intuition, feelings about the world, and the artist's cultural experiences and sources of identity. She uses narrative text to integrate intuition and happenings and finally finds new intuitions and feelings within the text and happenings through sculpture, materials, and images. Her work explores the disregard of human emotions in the face of macro-environmental influences and the fading of history in the face of changing times.
Through sculpture, installation, video and writing, Jintong makes the fictionalised text less of a singular narrativised concept and more of the artist's personal feelings, turning the text into a new sculptural material.
Education Background
Chelsea, University of the Arts London 09/2020-06/2024
Major: BA (Hons) Fine Art
Chelsea, University of the Arts London 09/2024-
Major: MA Fine Art
Group Works/Project
ADEMA-2024
Non-Published
Fiction: Stir-fried Swordfish
Fiction: The Death of the Rubber Duck
Works
The Death of the Rubber Duck
Under, Bridge
Black
Upward, backward or northward
Email: caijintong2019@163.com